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[attr="class","spellbody"] SOUND SCULPTING[break]A simple spell that allows a witch to modify the timbre and range of their voice, far beyond the natural limits of their vocal chords. Typically used in plays, to emulate the voices of different characters. Outside of drama circles, it's also commonly used by prank callers and criminals as a way of disguise.

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[attr="class","spellbody"] WINDBLADE CHRONICLES - CREATION[break]Created by one Jiro Aebersold, an Aer witch obsessed with the idea of a 'perfect blade,' the Windblade chronicles deal with elemental weaponry constructs. 'Creation' allows the witch to create a sword made of air. It's totally invisible and weightless, making it a powerful blade. Beginners, however, will find they cannot contain the wind well enough, and the spell tends to malfunction or 'disperse' at the worst possible moments. It's also not entirely invisible-- it's quite obvious the air around it has shifted, but it may be difficult to detect in the heat of a battle.

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[div][attr="class","spellcont"] [div][attr="class","spellimgcont"] [img style="max-width:100%;" src="http://i.imgur.com/KbKXwA1.png"] [/div] [div][attr="class","spellbody"] [b]SOUND SCULPTING[/b][break]A simple spell that allows a witch to modify the timbre and range of their voice, far beyond the natural limits of their vocal chords. Typically used in plays, to emulate the voices of different characters. Outside of drama circles, it's also commonly used by prank callers and criminals as a way of disguise.[/div][/div][break]

[div][attr="class","spellcont"] [div][attr="class","spellimgcont"] [img style="max-width:100%;" src="http://i.imgur.com/KbKXwA1.png"] [/div] [div][attr="class","spellbody"] [b]WINDBLADE CHRONICLES - CREATION[/b][break]Created by one Jiro Aebersold, an Aer witch obsessed with the idea of a 'perfect blade,' the Windblade chronicles deal with elemental weaponry constructs. 'Creation' allows the witch to create a sword made of air. It's totally invisible and weightless, making it a powerful blade. Beginners, however, will find they cannot contain the wind well enough, and the spell tends to malfunction or 'disperse' at the worst possible moments. It's also not entirely invisible-- it's quite obvious the air around it has shifted, but it may be difficult to detect in the heat of a battle.[/div][/div]

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[attr="class","spellbody"] THE SINGING BLADE[break]Original a part of Jiro Aebersold's Windblade Chronicles, this spell was later modified to be compatible with multiple magical blades. This allows a witch who already knows how to manifest a magical blade (elemental or through summoning, etc.) to be able to use any spellsinging spell they may know by swinging their wind blade around, instead of singing or using an instrument. It may require a great deal of concentration from beginners.

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[attr="class","spellbody"] SKILL: RHYTHM INTUITION[break]Witches with a developed rhythm intuition are able to perceive movements through their soundwaves. Enables the witch to predict the source, nature and direction of different sounds being projected, even when not in their immediate vicinity. Extends to incoming attacks, as long as they emit some sort of sound, though whether the witch is able to dodge still relies on their reaction speed. Useful for fighting and reacting in low-light conditions or through vision impairments as well.

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[div][attr="class","spellcont"] [div][attr="class","spellimgcont"] [img style="max-width:100%;" src="http://i.imgur.com/Ieb6irs.png"] [/div] [div][attr="class","spellbody"] [b]THE SINGING BLADE[/b][break]Original a part of Jiro Aebersold's Windblade Chronicles, this spell was later modified to be compatible with multiple magical blades. This allows a witch who already knows how to manifest a magical blade (elemental or through summoning, etc.) to be able to use any spellsinging spell they may know by swinging their wind blade around, instead of singing or using an instrument. It may require a great deal of concentration from beginners.[/div][/div][break]

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[div][attr="class","spellcont"] [div][attr="class","spellimgcont"] [img style="max-width:100%;" src="http://i.imgur.com/Ieb6irs.png"] [/div] [div][attr="class","spellbody"] [b]SKILL: RHYTHM INTUITION[/b][break]Witches with a developed rhythm intuition are able to perceive movements through their soundwaves. Enables the witch to predict the source, nature and direction of different sounds being projected, even when not in their immediate vicinity. Extends to incoming attacks, as long as they emit some sort of sound, though whether the witch is able to dodge still relies on their reaction speed. Useful for fighting and reacting in low-light conditions or through vision impairments as well.[/div][/div]

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Anima Blair
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[attr="class","spellbody"] SKILL MEDICAL TRANSFIGURATION : PHYSICIAN'S ASSISTANT[break]An old tome outlining spells for quick first aid on the battlefield, but now normally used within doctor clinics. Medical Transfiguration For The Battle Witch requires a fairly high understanding of the body to use effectively. Knowing your own body is one thing, but understanding someone else's is a whole other ballpark. This skill allows witches to use medical transfiguration on others at a reduced efficacy.

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[attr="class","spellbody"] FAMILIARIS: PHYSIOLOGICAL VARIANT[break]Familiaris refers to a series of spells that allow a witch to transfigure properties of their familiar onto themselves. This particular spell allows the witch to modify their general physiological structure, including limbs, muscles, tail outgrowths, etc. to match that of their familiar.

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[attr="class","spellbody"] SHIKIGAMI: INORGANIC VARIANT[break]What is typically thought of as a precursor to learning advanced animation techniques, Shikigami spells allow the witch to bring paper to life. This variant allows the witch to transfigure paper into any inorganic tool they may need at the moment -- it's useful for creating keys, small tools, a ladder, or other such non-magical objects. Requires a decent amount of paper to use.

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[attr="class","spellbody"] SKILL: ZOOLOGIST[break]This spell allows the witch to store the ‘data’ of up to six animals (one per rank of the witch) to use in various transfiguration skills instead of just their familiar. So far, you've collected the data of: ________.

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Anima Blair
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[attr="class","spellbody"] DOREMIFASOLATI TI VARIANT BLOW[break]Possibly the most well-known work written about spellsinging, Doremifasolati details the use of various notes to achieve various effects. The Ti variant, also known as the 'Shatter sound' is used by witches looking to destroy objects like glass or other fragile materials through magic. More generally, the spell can be used to vibrate materials, weakening them considerably. Masters of this note have been known to use it against bone, making opponent witches and daemons extremely susceptible to physical attacks.

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[attr="class","spellbody"] MULTILACHRIMAL[break]A simple, self-inflicted transfiguration spell, Multilachrimal allows the user to develop extra eyes on organic material. Beginners are only able to do this on themselves, but experienced witches can put their 'eyes' on anything, so to speak, creating eyes on objects or even other organisms that serve sensory input points for themselves.

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[attr="class","spellbody"] PLATFORMERS[break]A spell that gives a lot of utility, Platformers enables the witch to condense air into a thin platform. It's perfect for stepping onto to reach higher up or giving a "flying" illusion. While it can be used defensively, it's not a great shield in practice. Masterful witches can create thousands of platforms at once, or a single, giant platform in the sky

ANNIVERSARY REWARD

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[attr="class","spellbody"] DRAGONSONG: CALLING[break]Taken from the tales sung by the bards of the Wild Rose, the Dragonsongs are a set of spellsinging songs that were supposedly used by dragons. Whether or not this is true, these techniques are still inspired by the myths and legends passed down by dragons and supposedly written in the language of the dragons. The song “Calling” allows the user to magnify the power of one elemental domain in an area around the singer, as this song was supposedly used to give commands and call dragons to war. The spell can only enhance one domain at a time.

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[div][attr="class","spellcont"][div][attr="class","spellimgcont"] [img style="max-width:100%;" src="http://i.imgur.com/Ieb6irs.png"] [/div][div][attr="class","spellbody"] [b]DRAGONSONG: CALLING[/b][break] Taken from the tales sung by the bards of the Wild Rose, the Dragonsongs are a set of spellsinging songs that were supposedly used by dragons. Whether or not this is true, these techniques are still inspired by the myths and legends passed down by dragons and supposedly written in the language of the dragons. The song “Calling” allows the user to magnify the power of one elemental domain in an area around the singer, as this song was supposedly used to give commands and call dragons to war. The spell can only enhance one domain at a time.[/div][/div]